Showing posts with label Guitar Review. Show all posts
Showing posts with label Guitar Review. Show all posts

Tuesday, October 15, 2013

Nash Tele TK-54


This is a 2007 Nash TK-54; some people call this guitar the "Keef" model because of the Lollar humbucking pickup in the neck position. This guitar produces some very soft clean tones and spike like treble tones depending on which pickup you choose. The body is a one piece which makes a nice solid platform to build upon. This is a well detailed guitar and it's fun to play! Of course this sounds especially well through a Fender amp or others like it. I tested it on a Carr Rambler and it sounded superb. The Lollar neck Imperial humbucker is pushing 7.0 ohms while the Lollar T-series bridge pickup is pushing about 8.0 ohms. I measured the pickups and that data is dead on accurate. If I could find any fault on this guitar it would have been the surface of the back of the neck; the neck surface felt like like it was sanded with 200 grit sandpaper and left roughed up. I went over the surface with 400 and then stepped it up to 1500 and it feel more to my liking - smooth. Ya'll need to try one of these and play it loud!

















Sunday, April 14, 2013

Fano Guitars

I've had the opportunity to wrap my hands around a few Fano guitars recently. Nice units that remind of some of Fender's pawn shop guitars but only if the pawn shop guitars were built in the custom shop with the best parts! The design is great, some are knock off of guitars we already know but with a Fano spin on the manufacturing process while other designs seems like they weren't designed but rather they are inevitable. To me that speaks volumes on the ergonomics, appearance and tone of the instrument. Still, the worst part is deciding which one is for you! I especially like the distressed appearance because too many wannabe guitarists spend countless hours drooling over the finish of an instrument that might just well play like crap. Those with poncy propensities will certainly be dismayed by the Fano. Good, no time for limey posers.

Check these out. Shut up and play your guitar..............
















Current dealer link.

Friday, March 1, 2013

Eric Clapton Crossroads Collection

Guitar Center is featuring a collaboration of Eric Clapton's historic collection of reissues. Featured are Fender models, Gibson, and C.F. Martin guitars.

All of these instruments are rather expensive but aside from their untouchable cost they are beautiful and wonderful collector models. A lot of time is spent recreating these fine instruments. If you want a serious reality check - view the Martin models! Starting at $45,000 a cost that only Ellison or Zuckerberg could afford............ Some of the proceeds from the instrument sale goes towards the support of Crossroads Foundation. BE SURE TO WATCH THE 2013 CROSSROADS GUITAR FESTIVAL!

The Gibson "Lucy" Les Paul that George Harrison owned and Eric used on "While my guitar gently weeps"







The Fender Strat - Brownie - Very nice Strat that was nicked from Eric - Fender Strat - Brownie!






The C.F. Martin guitars. Like Eric says, most players prefer Martin guitars. I've experienced the same phenomenon. The Martin 00-45 EC and the 00-45 Madagascar are sublime instruments.





Last but not least - The Fender re-pro amps! Far from the exorbitant cost of the Martin guitars, most lay people can afford to duplicate Eric Clapton's electric sound! LINK HERE!

Saturday, November 17, 2012

Gibson - Les Paul Guitars price drop

Gibson Les Paul model guitars have dropped in price. Not all of the models are experiencing price drops but some. The Les Paul Traditional and the Les Paul Satin models are available at a tremendous savings. Rather than bore you with some conjecture about why the prices have dropped - I'll tell you what is going on with these models.

The Les Paul Traditional Pro remains remains unchanged and has the 8 hole chambers. This guitar is selling for almost $1000 less than the Les Paul Standard. Great Value

The Les Paul Traditional Mahogany satin utilizes a bi-layed rosewood fret board and the guitar top is Mahogany instead of maple - Hence the word "mahogany" in the title of this instrument. I am tepid on the bi-layer fret-board but it might be more ridged due to the dual layer and inherent bonding process. Very affordable to the intermediate guitarist.

The Les Paul Classic custom - Approximately $100 more than the Traditional Mahogany due to the maple top but instead of a rosewood fret-board, this guitar has a torrefied maple fret-board. Torrefaction is a process similar to baking that is value adding by modifying the qualities of certain wood. This process makes the wood more stable. Good Value if you like a maple guitar top but with a non traditional torrefied maple neck. It should be noted that Fender has used none torrefied maple for decades [Ex.1].

Typical Fender Guitar Maple neck [Ex.1]
It should be duly noted that torrefaction is preferred to Richlite. Richlite utilizes the wood and polymers to bond and modify the density of materials while torrefaction basically bakes the wood to achieve densification.

The Gibson Les Paul Standard is a great as ever. All of the aforementioned changes do not apply to this guitar. It's not cheap but it's literally a standard of the music industry. Are these instruments made as well as they once were? Depends on which period you would like to compare the current model to because not ever year in the past has yielded great models. During the decade of the 1980's the Les Paul suffered when Norlin was running the company. I prefer the necks shape that have been used for the last 20 years and for me I really like the 1950's profile but the 1960 profile is very comfortable to play. The draw back to this instrument: the price point is similar to a tremendous number of brands of guitars available in this price bracket. Beware of analysis paralysis trying to decide which guitar to buy in this price tier.

My bucket list Les Paul model is the reissue 1959. But I'd take a 1958 VOS. Both of these guitar play well and sound well but they come with a price tag that weeds out the poor or neophyte players.

It's no secret, Gibson has had some problems this past year. They've had lousy public relations and in my humble opinion could have used a professional spokes person. However, this is a apple pie brand and it just needs to get it's name out of the gutter along with some unlikely brother in discourse, i.e., Netflix, Tiger Woods, and Borders books. I'd like to see a huge brand turn around and it has to come from within Gibson.

Two of my most prized instruments are Gibson guitars. They play well, they are built well and they get better with age - Sort of like old American cars.



If you are looking for a gift for the guitar player in your life, you might consider some of the guitars I listed above. If I had to pick a non traditional Les Paul as the winner it would be the Maple Top with the satin finish. I find the price to value ratio on this instrument though subjective - to be the best bang for the buck!

One observation: Gibson is decreasing the cost of introductory instruments while increasing the cost of the premium products. The decrease is to bring in new consumers and lock in brand recognition while those old time guitar snobs are already sold on their dream Les Paul and more than willing to pay the cost to play the boss! Smart move Gibson!

Sunday, November 4, 2012

Travis Bean Guitars


The original Travis Bean guitar is no longer made and therefore a collectors item on the simplest of terms. Travis Bean was a luthier and machinist from California. His guitars were a compliment of beautiful exotic wood and aluminium necks. The fret boards where usually rosewood and bonded to the aluminium. The guitar that I tested was the TB1000 and frankly it was on the heavy side but the sustain was greater than any guitar I have played since. The pickups were stock and sensitive. The guitar sustain was incomparable and it's forte! This was the same guitar that Stanley Jordan, Keith Richards and Jerry Garcia used this instrument as did countless others. With high performance sustain it was easy to see why Stanley Jordon would like this instrument as it suited his style of playing well. The body shape of the TB1000 reminded me of a certain ES-335 but smaller. The neck shape was similar to the Les Paul Custom 1968 model. The pickup covers and pick guard are close to indestructible. The guitar is bomb proof but if you did ever bend the neck, you'd probably need a new neck (would need to be customer made) or you'd have to take your guitar to the nearest auto body shop (sic). The Travis Bean guitars I know of were only manufactured for about 5 years but their place is secured in history as a bold attempt to change the classic materials used during the manufacture of guitars.

The down side: since aluminum conducts heat well, at first touch the neck feels cold because it absorbs heat from your skin and gives you a chilling sensation. However, if the ambient temperature is much lower than the natural human body temperature, the neck will chill to ambient, be uncomfortable to play, and never warm to the touch. In the later years, they resolved to paint or coat the neck to eliminate the temperature issue. But the paint sort of also ruins the whole appeal and this was the Travis Bean conundrum. The guitar weight is the second problem regarding the ergonomics of this wonderful but temperamental guitar. The guitar is up there around 8 to 9 lbs. depending on the wood used. If you don't regard the aforementioned challenges as deal breakers, this might just be a perfect instrument for you.

If you find one within your price range - Buy it. These are not cheap guitars, never were and it is doubtful the price will drop on the open market. If you live in the Arctic and play outdoors - you might want to pass it by. However, the sustain is phenomenal and the pickups are a shredders dream. If you see a Travis Bean - At least try it and you will understand why some love this guitar are others pass it by.

Travis Bean sadly passed away in 2011.

Wednesday, October 31, 2012

Collings 290

More information coming soon regarding the Collings 290 guitar. This guitar is simple. It got the bone tone of a legendary slab guitar but without the vintage price tag that often accompanies that type of instrument. The hardware is top notch Tone pro's bridge and saddle. The neck has a 1959 feel but with a 12 degree flat fret board. Pick ups are the bees knees Jason Lollar P90's that might be noisy for some but have the vintage fat sound that is somewhere between a Fender single coil style and a Seth Lover humbucking pickup. Not a pickup for thrash metal but great for just about everything else. Something you don't see on the new production Gibson... The 290 has a ebony peg head veneer, hand set mortise and tenon neck joint, 24 7/8 scale neck, rose wood fingerboard, and last and certainly not least - high gloss nitrocellulose finish.

Playing the guitar without an amp and you will feel the guitar vibrate against your body. At least that is what I felt and this gives the guitar a certain mojo voodoo space dust other worldly vibe. The action is medium and the stock strings were 11's. The guitar is sensitive, my first attempt with a glass slide made me realize immediately the different tension each neck scale promotes as my technique required a re-adjust because I am used to ham-fisted 25 inch neck scales when using a slide. With electronic effects the guitar is also responsive. The high impedance pickups work well with my vintage Big Muff Pi, Fulltone OCD and seamless with time effects as expected.

Craftsmanship is top notch American made Texas style luthiery. I cannot find a flaw on this guitar. This isn't a cherry picked instrument, it's straight off the shelve and into my hands and it is first class wonderful. I've owned and witnessed other name instruments from the good old USA Gibson that I am sure have the skill but the upper management is ...... Let me get back to this guitar. This guitar doesn't disappoint. Long gig's - the weight will not send you to the chiropractor, fingers not as strong as they were when you were younger and pulling those lightning fast licks? No worry, you have a short scale with decreased tension so bend those notes to your hearts content! This guitar is simply a delight to play. You won't find these instruments at Guitar Center but if you have a local quality dealer - try one out for yourself and you will not be disappointed - You will probably catch an incurable disease - GAS (gear acquisition syndrome).